This film was considered a testing ground for young O.N.C.I.C. directors. Today there is no longer a copy and the negative was accidentally destroyed. The Algerian Cinematheque has a copy of the very beautiful part shot by Abderrahmane Bouguermouh "La Give": A young schoolgirl from Kabylia is tasked by the resistance fighters with transmitting a message which is hidden in a thrush...
Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city.
Based on the experiences of Agu, a child fighting in the civil war of a West African country. Follows Agu's journey as he's forced to join a group of soldiers.
David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story.
Asked by his girlfriend about the essence of his love for her, a young man remembers a dream he once had about the African jungle, in which the forces of nature seemed to lead a life of their own.
Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped only with their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination.
Inspector Rizzo in Napoli gets a message from a policeman from South Africa who wants to meet him. Immediately before this meeting the South African policeman is killed.
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
A group of Northern vigilantes, roaming the post Civil War south, attack and kill the fiancee of war veteran Brian, who is rescued by his friend, Daniel.
