This East German movie was co-produced with studios in Hungary and Yugoslavia, with many interesting location shots (border checkpoint to West Berlin, the Gellert bath in Budapest, and more). The plot is about French drug dealers, who obtain heroin somewhere in the Middle East, and smuggle it in several steps to East Berlin, and from there to France (or so it appears), killing when necessary. The hero is an officer of East German customs, who with detective work, some masquerade, and occasional violent action ultimately unravels the whole network, of course with the support of the local customs departments.
Chev Chelios, a hit man wanting to go straight, lets his latest target slip away. Then he awakes the next morning to a phone call that informs him he has been poisoned and has only an hour to live unless he keeps adrenaline coursing through his body while he searches for an antidote.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead -- or so they think.
An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home.
Liu Jian, an elite Chinese police officer, comes to Paris to arrest a Chinese drug lord. When Jian is betrayed by a French officer and framed for murder, he must go into hiding and find new allies.
When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt, Beatrice McCready hires two private detectives, Patrick Kenzie and Angie Gennaro.
Arthur Simon Simpson is a small-time crook biding his time in Greece. One of his potential victims turns out to be a gentleman thief planning to steal the emerald-encrusted dagger of the Mehmed II from Istanbul's Topkapi Museum.
The archetypical renegade Texas Ranger wages war against a drug kingpin with automatic weapons, his wits and martial arts after a gun battle leaves his partner dead.
On the afternoon of July 1, 1981, Los Angeles police responded to a distress call on Wonderland Avenue and discovered a grisly quadruple homicide.
Alternative movies trailers for Heroin
More movie trailers, teasers, and clips from Heroin:
The Heroin Busters (1977) Trailer - Color / 3:45 mins
The Heroin Busters (Italian: La via della droga) is a 1977 Italian crime film directed by Enzo G. Castellari and starring Fabio Testi David Hemmings and Sherry ...
HEROIN THE FILM
HEROIN is an urban thriller that exposes heroin addiction and the dangers the lifestyle brings.
The Panic in Needle Park- Heroin
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Heroin 1970 Jean Gabin prva
Heroin full hd movie trailer.
The Velvet Underground-Heroin
The Velvet Underground & nicofootage from andy warhol's "symphony of sound"
Drug Propaganda Films : Marijuana Smokers vs Heroin Addicts
Drug Propaganda Films : Marijuana Smokers vs Heroin Addicts. A Vintage Educational Drug Propaganda Film. 420 Drugs Documentaries Propaganda Films ...
Popular movie trailers from 1968
These some of the most viewed trailers for movies released in 1968:
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.
A group of Northern vigilantes, roaming the post Civil War south, attack and kill the fiancee of war veteran Brian, who is rescued by his friend, Daniel.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
Forced behind British lines by engine problems, the Red Baron camouflages his plane, swaps uniforms with a dead soldier, and, posing as a Belgian, makes his way to a hospital.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.