Blue Movie Madness is indeed a mad flick featuring lots of skin as a truly loverly blue-movie maiden shows a beginner the ropes. Everything here is geared toward laughs, but the essential purpose of skin flicks is never forgotten and the trade secrets exposed along the way are very revealing: "Don’t stab her in the eye with it!" yells the director, who can’t keep himself out of the action. Yes, "getting the part" takes on a new meaning in this one.
Nurse Linda Lovelace works for libidinous sex therapist Dr. Jayson. One of the patients she is treating is Dilbert Lamb, a meek geek who's harboring plans for a top secret government computer.
Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper.
Rod Steele (aka Agent 0014) is anything but the world's greatest super spy, but when diabolical villainess Tangerina threatens the world again, he's the world's last and only hope.
A Midwestern ingenue arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fare, which starts being plagued by strange, deadly accidents.
Deathstalker helps Reena the Seer out of a few jams, and she solicits his help for a bigger task. She reveals that she is actually Princess Evie, but the evil sorcerer had her abducted and cloned in order to seize control of the kingdom.
A tale of sexual encounters of one woman and several friends, family members and acquaintances, as seen (and told) from the perspective of a pair of satin blue panties.
Sex sells. Sex kills. Sex thrills. "This Is Not Sex" pays homage to the subject of the upcoming Kevin Smith flick, "Zach and Miri Make A Porno",whilst taking you through a ride of sexual misperception through the lens of director Tony Kaye.
Forced behind British lines by engine problems, the Red Baron camouflages his plane, swaps uniforms with a dead soldier, and, posing as a Belgian, makes his way to a hospital.
Anthony Steffen, as a young gunman who works as a circus performer, witnesses the killing of some outlaws, carried out by their leader and is credited with the deed.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
