The infinite span of a thought is transformed into spatial-temporal intersects -- to become and become and become and never more or less -- MAINSTREAM is a fresh dip into oblivion -- a confused taste of love -- an expanded glimpse into a micro-moment -- a sliver of mind's motion becoming.
Five criminals are arrested after a bank-robbery. One escapes, and the police officer in charge of transporting them arrests a new person at random to cover up for his negligence.
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire.
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
Forced behind British lines by engine problems, the Red Baron camouflages his plane, swaps uniforms with a dead soldier, and, posing as a Belgian, makes his way to a hospital.
Comments
Have you watched Mainstream yet? What did you think about it?