01 April 1968 Thriller, Mystery 127 mins
Mysore Tanga is a 1968 Indian Kannada film, directed by G. V. Iyer and produced by B Vijayalakshmi. The film stars Kalyan Kumar, B. Vijayalakshmi, Udaykumar and Balakrishna in lead roles. The film had musical score by Vijaya Bhaskar.
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Kalyan Kumar as Premnath/Duplicate CID Prakash
T. N. Balakrishna as Rao Bahaddur
T. R. Narasimharaju as Madayya
G. V. Iyer Director
G. V. Iyer Story
G. V. Iyer Screenplay
G. V. Iyer Dialogue
G. V. Iyer Lyricist
India 01 April 1968
These some of the most viewed trailers for movies released in 1968:
12 June 1968
A teenager sets out on a sexual odyssey of having affairs with various men, including her mother's secret boyfriend.
01 January 1968
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
24 November 1968
The historical background to the story is the transfer of 269 executed women to the Berlin Anatomy Department in the years 1939-1945.
15 August 1968
Vellaiya is falsely accused of murder. On the other hand, Rani, a rich girl, struggles after the sudden demise of her father.
01 January 1968
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
12 June 1968
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
20 August 1968
A picture of the development of the city of Glasgow, Scotland, as seen through the photography of Scots-Italian photographer Oscar Marzaroli.
05 September 1968
A quirky family lives their simple but joyful life which centers around the youngest family member, a little boy.
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
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Artwork, screen shots, trailers and other imagery is © 1968 Vijayalakshmi Movietone.
