This short focuses on Patricia Neal's return to motion pictures three years after she suffered a near-fatal stroke. We see her and the cast and crew at work in New York City on the feature film The Subject Was Roses (1968).
An in-depth look at an incredible moment in film history when Steven Spielberg and George Lucas assembled an amazing creative team to collaborate on another cinematic benchmark featuring never-before-seen footage and interviews with Spielberg, Lucas, Harrison Ford, Kathleen Kennedy, Frank Marshall, James Mangold, and many others as well.
Arctic Tale is a 2007 documentary film from the National Geographic Society about the life cycle of a walrus and her calf, and a polar bear and her cubs, in a similar vein to the 2005 hit production March of the Penguins, also from National Geographic.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
Divided into several segments: A detailed examination of the editing process, centered around Fincher screening scenes from the film; in the recording studio for post-production dialogue recording; comparing the final title sequence to its earliest stages of development in a three-way composite.
Popular movie trailers from 1968
These some of the most viewed trailers for movies released in 1968:
A portrait of alienation is sketched out, focusing on a young art student who passively, but consciously, rejects responsibility for the political storms swirling about her.
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.