The year is 1942 and Advocate M.L. Gupta lives a wealthy lifestyle along with his wife, Maya, in Churchgate, Bombay. One day he travels to Calcutta, and during an air raid by Japanese fighter aircraft, takes shelter with a prostitute, Panna, who drugs and then seduces him. The next day Gupta returns home and decides to forget about this affair. Shortly thereafter he and Maya become parents of a male child and name him Johar.
A young singer falls in love with his teacher’s daughter, but their romance is tested when the girl’s parents arrange her marriage with Vanraj, which takes three of them into an unexpected journey of love, sacrifice, and selflessness.
An upright ex-army man, Jai fights a solitary war against corruption and injustice. With a simple mantra to pay forward, he starts off by helping one person and forms an ever growing circle of people helping each other.
An atheist archaeologist turned believer must race against time to prove the true existence of the legendary Ram Setu before evil forces destroy the pillar of India’s heritage.
The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity.
When Aurangzeb recruits his trusted soldier Udaybhan to control the Kondhana fort, Shivaji's military leader Tanhaji Malusare and his army of Maratha warriors set out to recapture the fortress.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.
Five criminals are arrested after a bank-robbery. One escapes, and the police officer in charge of transporting them arrests a new person at random to cover up for his negligence.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
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Have you watched Shrimanji yet? What did you think about it?
