Six and Twelve is one of a series of short films and documentaries produced under the auspices of the Centre Cinématographique Marocain in the years after Moroccan independence. While most of these were utilitarian in nature, Bouanani, Tazi, and Rechiche took a different route with this film, creating a modernist “city symphony” film that documented six hours in the life of the city of Casablanca. Combining a hard bebop soundtrack with stunning black and white cinematography and a radical editing style, the film stands as a document to the energetic experimentation of this period of Moroccan art and cinema.
Spain, November 5, 2021. After an emergency landing, several people traveling from Casablanca (Morocco) to Istanbul (Turkey) escape from Palma de Mallorca airport.
Casablanca, the year of the baccalaureate. The carefree life of Morocco's golden youth and all its excesses: car races, friendships, music, alcohol, but also first loves and the anxiety of transitioning to adulthood.
One of six travelers who catch the bus from Casablanca airport to Marrakesh is carrying $2 million to pay a local operator to fix United Nations votes.
Four one-for-all and all-for-one privates in the French Foreign Legion are all in jail for disorderly conduct, but they break out and rejoin their regiment and fight off a band of marauding Arabs, and are soon in Casablanca getting decorated by the French Minister of War.
Popular movie trailers from 1968
These some of the most viewed trailers for movies released in 1968:
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
Comments
Have you watched Six and Twelve yet? What did you think about it?
