"Gunner O'Rourke was sick of being pushed around...so he pushed back" 04 April 1968 Drama, War 105 mins
A national service NCO (David Warner) comes face to face with an embittered Irish Gunner (Nicol Williamson) who is determined to humiliate him.
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Nicol Williamson as Gunner O'Rourke
David Warner as Lance Bombardier Terry Evans
Ian Holm as Gunner Flynn
Peter Vaughan as Sergeant Walker
John Thaw as Gunner Featherstone
Barry Jackson as Gunner Shone
Richard O'Callaghan as Gunner Rowe
Donald Gee as Gunner Crowley
Geoffrey Hughes as Private Samuel - Cookhouse
Barbara Jefford as Belinda - NAAFI Girl
Gareth Forwood as Lt. Pickering
Glynn Edwards as Sergeant Major West
Lindsay Campbell as Captain Cheeseman
John Herrington as German Pointer
Jack Gold Director
Terry Knight Art Direction
John McGrath Writer
Alan Hall Camera Operator
Clive Reed Production Manager
Otto Plaschkes Producer
Robert A. Goldston Producer
Alan Hume Director of Photography
Carl Davis Original Music Composer
Anne V. Coates Editor
Jack Holden Set Decoration
United Kingdom 04 April 1968
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05 December 1968
Five criminals are arrested after a bank-robbery. One escapes, and the police officer in charge of transporting them arrests a new person at random to cover up for his negligence.
15 August 1968
Vellaiya is falsely accused of murder. On the other hand, Rani, a rich girl, struggles after the sudden demise of her father.
24 November 1968
The historical background to the story is the transfer of 269 executed women to the Berlin Anatomy Department in the years 1939-1945.
01 January 1968
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
10 November 1968
Two-part TV movie about the inadequate production methods of a chemical plant, which come to light due to an accident and lead to numerous complaints.
26 January 1968
The Monk, Monkey and Pigsy find themselves in the title realm, where women can only give birth to women.
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
03 December 1968
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family.
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Artwork, screen shots, trailers and other imagery is © 1968 Universal Pictures UK, Everglades Productions, Copelfilms.