Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein.
This tongue-in-cheek cautionary tale by Croatian director Zlatko Grgic traces man's checkered history with fire, and shows how growing carelessness in the form of overloaded sockets, smoldering cigarettes and other fire hazards can have highly undesirable consequences.
For her son, a poor young mother is forced to sell her organs to a sick old woman. Flesh, for gold. Little by little, necessity gives way to the lure of gain.
A group of Northern vigilantes, roaming the post Civil War south, attack and kill the fiancee of war veteran Brian, who is rescued by his friend, Daniel.
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
Forced behind British lines by engine problems, the Red Baron camouflages his plane, swaps uniforms with a dead soldier, and, posing as a Belgian, makes his way to a hospital.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.