03 January 1968 Comedy 36 mins
An early short film directed by Peter Weir in 1968, centered on the life of a bird enthusiast who becomes a Christian evangelist, and described in archival sources as a surrealistic documentary.
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James Dellit as Mr. Steam
Kosta Akon as Kiff
Peter Weir as Buck
Grahame Bond as Folksinger
Johnny Lockwood as General Q. Staub
The Life and Times of the Reverend Buck Shotte Trailer
Buck Shotte Trailer
Australia 03 January 1968
These some of the most viewed trailers for movies released in 1968:
20 September 1968
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
10 November 1968
Two-part TV movie about the inadequate production methods of a chemical plant, which come to light due to an accident and lead to numerous complaints.
04 October 1968
A ragtag group barricade themselves in an old Pennsylvania farmhouse to remain safe from a horde of flesh-eating ghouls ravaging the Northeast.
01 May 1968
Sam Moran is a Honolulu charter-boat captain who leads fishing expeditions in the tropical paradise. When his daughter is found murdered at the party of a wealthy young playboy, he seeks the truth about the murder.
07 February 1968
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport.
01 January 1968
A BAFTA award winning documentary looking at bilharzia - a disease that affects some 200 million people worldwide.
05 December 1968
Five criminals are arrested after a bank-robbery. One escapes, and the police officer in charge of transporting them arrests a new person at random to cover up for his negligence.
29 January 1968
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
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