A group of young scientists conducts an experiment, putting themselves in the conditions of the people of the Stone Age. With the help of stone tools, they procure food and fire, and make themselves comfortable in nature.
Bingo, the runaway circus dog, is off the leash and saving Chuckie's life! Bingo and the boy become the best of friends in this canine comedy featuring doggy disguises and skateboarding, pinball and prison.
Naruto is thrilled when he is sent on a mission to protect his favorite actress, Yukie Fujikaze, on the set of her new movie, The Adventures of Princess Gale.
When Earth astronaut Capt. Chuck Baker arrives on Planet 51 -- a world reminiscent of American suburbia circa 1950 -- he tries to avoid capture, recover his spaceship and make it home safely, all with the help of an empathetic little green being.
On their way through the Battle Frontier, Ash and friends meet up with a Pokémon Ranger who's mission is to deliever the egg of Manaphy to a temple on the ocean's floor.
In the aftermath of a major earthquake, scientists predict that Japan will sink into the sea. As further disasters follow, politicians plead with other countries to take refugees, while scientists struggle to save Japan itself.
“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.