Four hours by boat from the lightship Elbe 1 is the southern entrance and lock of the Kiel Canal. There, in Brunsbüttelkoog, is a seamen's home run by Klara Andresen. This is the main setting of the movie. In the sailors' wives' home, the wives of sailors wait for their return. Klara Andresen not only looks after the concerns of the waiting sailors' wives, but also her brother-in-law Gustav Andresen . Gustav has gone to sea as a ship's cook and now wants to get married. That's why he has placed a marriage announcement and is waiting for the reactions.
Two hunky phone repair guys from Flatbush, former Wall Street hotshot Jimmy and his buttoned-up cousin Max, stumble across insider trading tips and start tapping a phone line to get even more.
Waitress Saara meets handsome journalist Joni, and soon moves in to live with him. Joni tries his best to satisfy Saara sexually but, disturbed by violent lesbian fantasies, she is unable to experience orgasm.
When two weddings are accidentally booked on the same day at the same venue, each bridal party is challenged with preserving their family's special moment while making the most of the unanticipated tight quarters.
A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card.
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader.
The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences.
Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm.
Popular movie trailers from 1968
These some of the most viewed trailers for movies released in 1968:
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire.
