Violin Film #1 (Playing the Violin as Fast as I Can), is one of several 1967-68 films featuring Nauman's violin-playing, in which the production of sound is subjected to procedural strategies that problematize its status as music and performance.
The dramatic story of Egon Schiele in his own words, celebrating his remarkable artistic achievements but also debating the controversies around his work.
An intimate journey through the formative years of David Lynch's life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema's most enigmatic directors.
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world.
The inspiring story about the professional rock smasher Clive Tapps. A devoted man who plans to fulfill his dream, to smash the biggest rock he has ever faced.
Light is the first bodily form pays homage to the philosopher of light, Robert Grosseteste. The title is intended to be somewhat tongue-in-cheek since this video was made entirely in the dark, using only a circuit bent Webcam.
Tracing the Future follows In the Wake exhibition artist Naoya Hatakeyama as he photographs the devastated landscape of his hometown of Rikuzentakada after 3/11.
Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.
The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.