02 September 1968 Factual 7 mins
WHAT TROUBLES THE TROUBLEMAKER Filmstrip No 409 Popular Science Pub Co Audio Visual Division 45 fr color 35 mm An FOM release With Teaching guide 1 v Popular Science Pub Co Inc Audio Visual Div 2Sep68 A105495 Denoyer-Geppert Audio-Visual filmstrip, No. 66830
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WHAT TROUBLES THE TROUBLEMAKER Filmstrip No 409 Trailer
United States 02 September 1968
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Educational short film featuring a milkman and his puppet
These some of the most viewed trailers for movies released in 1968:
01 January 1968
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
22 April 1968
Captain Talat and Necip work in charge of the security chief Mansur Pasa. Talat fancies Necip's cousin Cemile.
07 June 1968
The film follows the exploits of a small gang of jewel thieves who employ a little person as their ultimate tool.
13 September 1968
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.
12 June 1968
A teenager sets out on a sexual odyssey of having affairs with various men, including her mother's secret boyfriend.
01 January 1968
The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city.
29 February 1968
Anthony Steffen, as a young gunman who works as a circus performer, witnesses the killing of some outlaws, carried out by their leader and is credited with the deed.
26 January 1968
The Monk, Monkey and Pigsy find themselves in the title realm, where women can only give birth to women.
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
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