A portrait of jazz saxophonist Sonny Rollins during a period of self-exile, filmed practicing and reflecting on music, politics, and artistic independence across New York City.
A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.
Crazy is the story of a legendary guitar player who emerged from Nashville in the 1950s. Blessed with incomparable, natural talent, Hank Garland quickly established his reputation as the finest sessions player in Nashville.
A young student filmmaker in an attempt to shoot a documentary gets lost in New Orleans. Out of fear of making a mistake, he ends up making hundreds of mistakes.
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
Chart-topping jazz trumpeter Chris Botti and special guests performed two star-studded concerts at the historic Boston Symphony Hall with Keith Lockhart and the Boston Pops on September 18 and 19, 2008.
Popular movie trailers from 1968
These some of the most viewed trailers for movies released in 1968:
In a Canadian mountain resort, Vixen Palmer resides with her naive pilot husband Tom. While he's away flying in tourists, she sleeps with practically everybody including a husband and his wife, and even her biker brother.
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
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