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International Releases Dates
Italy
30 December 1968
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Popular movie trailers from 1968
These some of the most viewed trailers for movies released in 1968:
12 June 1968
A teenager sets out on a sexual odyssey of having affairs with various men, including her mother's secret boyfriend.
20 August 1968
A picture of the development of the city of Glasgow, Scotland, as seen through the photography of Scots-Italian photographer Oscar Marzaroli.
01 August 1968
At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland.
12 June 1968
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
17 January 1968
Fadime and Memiş, who are in love with each other, are children of enemy families. Their families oppose this relationship.
01 January 1968
The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city.
01 January 1968
Peter Drucker teaches you how to be an effective executive.
29 January 1968
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
05 December 1968
Five criminals are arrested after a bank-robbery. One escapes, and the police officer in charge of transporting them arrests a new person at random to cover up for his negligence.
20 September 1968
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
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