Artificial Light x20 Trailer (1969)
01 January 1969 1 mins
A "remix" of Hollis Frampton's film Artificial Light.
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International Releases Dates
United States 01 January 1969
Popular movie trailers from 1969
These some of the most viewed trailers for movies released in 1969:
Kys til højre og venstre Trailer (1969)
13 March 1969
A portrayal of two modern young men and their experiences of love. Jack, a sociology student, is in a relationship with Betty, who is somewhat older than him.
Poussez pas grand-père dans les cactus Trailer (1969)
05 November 1969
Alphonse flees to Paris to escape his wife's despotism. Intoxicated by the frenzied pace of Parisian life, he ruins himself completely.
Aayiram Poi Trailer (1969)
11 July 1969
Chinna Durai(V. K. Ramaswamy) dislikes his brother-in-law, Kanagasabi(V. S. Raghavan) stands in the way of a marriage arrangement for his daughter Malathy(Vanisri) and Kanagasabi's son Ravi(Jaishankar).
Boğaziçi Soygunu Trailer (1969)
01 January 1969
A daring gang plans to steal priceless historical artifacts, including Tutankhamun’s necklace, that have been brought to Istanbul for a prestigious festival.
Drevený chlieb Trailer (1969)
01 January 1969
A balladic story based on the motifs of M. Urban's short story, in which the arduous work of loggers and the harshness of the environment interlace with the poetry of the Slovak mountains.
Changes Trailer (1969)
11 February 1969
It's the late sixties, a time of peace signs, free love and revolution; and Kent like others of his generation, is looking for a meaning to his life.
"Golden Sand" Sword Trailer (1969)
14 June 1969
The Golden Blade should be kept in the hands of a good person; if it fell into the wrong hands the outcome would be terrible.
More Than One Thing Trailer (1969)
01 January 1969
The first film by Steve Carver ("Big Bad Mama"), focusing on the life of a young man growing up in Pruitt-Igoe.
RARA Trailer (1969)
30 May 1969
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones.
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