It is an anti-film, a verbo-filmic corollary to the classic O bottetò, which engages a concept of "de-cultural film" brought to exasperation, determining the provocation of the public through a parodistic technique of the most forbidden amateur cinematographic attitude (the film is part of the "filmosophical manifestos" series).
The legendary swords-girl Little White Dragon, helps protect a crown prince on his journey to a far off temple where he is to be blessed before becoming a Prince.
A pretty young anti-marijuana activist is kidnapped by a drug ring, which is determined to teach her a lesson by degrading and violating her in every way possible.
A gang of kids helps a sea captain search for a pirate’s treasure that’s rumored to be hidden somewhere in the old dilapidated inn the sea captain just inherited from his dead brother.
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones.
A daring gang plans to steal priceless historical artifacts, including Tutankhamun’s necklace, that have been brought to Istanbul for a prestigious festival.
