Daphnis and Chloe wander through a forest, intercut with shots of John Lennon and Yoko Ono, and following no clear chronological trajectory, in a questioning of sexual roles and the permissible standards of Franco-era cinema.
The Boy with a Camera for a Face is satirical fairy tale about a boy born with a camera instead of a head, whose every moment is transformed by the fact he is recording it.
Staggeringly simple films: a man itching his back, a man thinking, a man yawning, but like the works of Samuel Beckett, these minute gestures stand in as grand statements of the human condition, akin to the films of Bas Jan Ader and Marcel Broodthaers.
Seong-ah, the main character who lives in a camp at a welfare facility in the cathedral, is given a confession and is given a continuous service (a practical task for atonement given by the bride after confessing).
A presentation of an expanding formation of "Elements of Nothing". The systematic harsh noise shaped by water and trees gives birth to a storm of novel imagination in the viewer's emotions.
A veteran sea captain abducts his niece for what he believes is his last chance at love. As the sad demon of the ocean Klabautermanden watches the passing of doomed ships, the niece awakens in her uncle's cabin.
Chinna Durai(V. K. Ramaswamy) dislikes his brother-in-law, Kanagasabi(V. S. Raghavan) stands in the way of a marriage arrangement for his daughter Malathy(Vanisri) and Kanagasabi's son Ravi(Jaishankar).
A student, tired of a too well-mannered fiancé, loses a virginity she considers very embarrassing in the arms of a forty-year-old man, before finding love with a repentant gigolo.