The drama revolves around the novelist Sami Al-Bagouri (Fuad Al-Mohandes), whose wife Mahasen (Zahra Al-Ola) is jealous of him so much that she is jealous of his deceased wife (Fekriya). While writing another novel, Shweikar), and becomes (Sami) in a difficult position, especially after learning (Fkrie) that he remarried
Abd al-Tajtali Sulayt, a compulsory teacher from the village, goes to Locanda al-Firdaws after he was greeted by Atiyah al-Shalashlamouni and his wife Shafiqa, along with his four daughters, who treat them firmly and strongly, while Samiha was a neighbor of Atiyah who was constantly fighting with her husband Masoud because of her jealousy over him, and she thinks that he is in a relationship with another.
Amshir works as a bodyguard in the cabaret owned by his Medhat al-Shamshiri, and a court sentences Medhat to a month in prison after he burned the mustache of a wealthy Upper Egyptian named al-Najawi.
A dark Kuwaiti comedy that follows "Arab," an idealist who embarks on a fantastical journey with "Marjan the Genie" to unite the Arab world—only to confront a reality far from his hopes.
The story revolves around a family of several men and their wives who were living a happy happy life, until the doorbell rang one night to find a baby left behind behind the door and accompanied by a letter indicating that the child's father is from this family without identification, which raised the suspicions of the wives in their husbands.
A theater director decides to re-introduce Carmen with a new treatment, looking for an ideal actress to perform the main character, and the relationship between them soon develops for more than work.
A Kuwaiti social comedy play presented to the leaders of the Gulf states at the Gulf Summit in 1985, which was written by Abdul-Hussein Abdul-Ridha, a satirical play that discusses family issues, family bonding and religious extremism, the play talks about the loss of children and the home, neglect of parents, and who is responsible for that.
Hilal Haji Ramadan is a single person in Salmiya who is a reckless and wasteful person, which leads not to multiply debts on him and chasing his debtors, and he has a friend who is a doctor close to him, but on the contrary, he is a human being, a messenger and a shark lover.
A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.
A comedic play about a struggling theater cast seeking funding to show one of its plays. They stay in a hotel waiting for the financier, but they don't have money to pay the hotel bill, thus getting them into troubles.
A balladic story based on the motifs of M. Urban's short story, in which the arduous work of loggers and the harshness of the environment interlace with the poetry of the Slovak mountains.
The legendary swords-girl Little White Dragon, helps protect a crown prince on his journey to a far off temple where he is to be blessed before becoming a Prince.
A veteran sea captain abducts his niece for what he believes is his last chance at love. As the sad demon of the ocean Klabautermanden watches the passing of doomed ships, the niece awakens in her uncle's cabin.
Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice.
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones.
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Have you watched Eve at 12 o'clock yet? What did you think about it?
