In this romantic comedy, an unwed couple who run a wedding planning business discover, to their horror, that the Justice of the Peace who had officiated their first three weddings was only an actor.
A daring gang plans to steal priceless historical artifacts, including Tutankhamun’s necklace, that have been brought to Istanbul for a prestigious festival.
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones.
Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice.