Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
A member of an elite paramilitary counter-terrorism unit becomes traumatized after witnessing the suicide bombing of a young girl and is forced to undergo retraining.
Against the backdrop of an unfathomable megalopolis, in a story that follows the associative qualities of a dream logic, the protagonists quote from concepts of neo-liberal elitism, and a mix of religious delusions and hallucinations of the apocalypse.
Álex and Ruth meet through a dating app, immediately become inseparable, move in together, and live as a happy couple, until Álex notices that Ruth is experimenting certain changes.
Every generation has its own entry and exit. They have their own crisis and celebrations. This is an attempt to bring and connect the dotted lines between the generations.
Óscar and Fon are friends and war reporters. They are kidnapped in a basement, in a foreign country, over three thousand miles from home.
Alternative movies trailers for Oh! My Mother
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Oh! My Mother (Kohei Ando 1969)
This is the first Japanese film that uses specific techniques video. Images multiply and stretch into the distance by an electric effect and are comparable to breath ...
Popular movie trailers from 1969
These some of the most viewed trailers for movies released in 1969:
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