A film about faces, about expressions, about situations. The film is based on a poem by the Danish poet Poul Borum. The recordings are made in the Munch Museum in Oslo and based on the faces of Munch's pictures.
While happily engaged to Rosalia, Tony has the misfortune of falling for a vibrant pilot named Valeria — and that’s just the beginning of his problems.
A pretty young anti-marijuana activist is kidnapped by a drug ring, which is determined to teach her a lesson by degrading and violating her in every way possible.
A student, tired of a too well-mannered fiancé, loses a virginity she considers very embarrassing in the arms of a forty-year-old man, before finding love with a repentant gigolo.
When Korea Highway Corporation is about to destroy the grave of O Gong-nyeo, the locals oppose the idea because they are worried of the legend of the grave.
A farmer receives land from the king and discovers a buried golden mortar. He decides to give it to the king out of gratitude, but his clever daughter warns him that the king will surely want him to bring a corresponding pestle as well.
The landscape surveyed here might be the estranged interior of your typical East-European émigré animator’s skull; with its deranged narrative values, artfully disturbed graphic style, and aggressive "musique concrète" sonorities, Kamler's are among the most astounding works you'll ever see.
Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice.
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Have you watched Oslofilm: Ansikter yet? What did you think about it?