Two convicts escape from prison in the Wild West and disguise themselves as a horse. Sugarfoot sees the "horse" and falls in love. Later, Woody and Sugarfoot learn about the phony pony, and they try to send the convicts back to jail.
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones.
A pretty young anti-marijuana activist is kidnapped by a drug ring, which is determined to teach her a lesson by degrading and violating her in every way possible.
A portrayal of two modern young men and their experiences of love. Jack, a sociology student, is in a relationship with Betty, who is somewhat older than him.