Connie Chan Po-chu and Lui Kay became an adored on-screen couple in the late 1960s after starring together in several popular films. Eager to cash in on their appeal, production companies dreamed up extraordinary plots to spice up the requisite romance stories starring the beloved duo, such as falling in love with a ghost in Beauty in the Mist (1968) and with a cat in The Magic Cat. In this human-cat affair, a young painter finds his beautiful muse, without knowing she is a furry creature that can be temporarily transformed into a human. But the cross-species romance turns CATastrophic when the titled feline’s mother disapproves of their relationship and takes away the daughter’s ability to transform…
The legendary swords-girl Little White Dragon, helps protect a crown prince on his journey to a far off temple where he is to be blessed before becoming a Prince.
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones.
A farmer receives land from the king and discovers a buried golden mortar. He decides to give it to the king out of gratitude, but his clever daughter warns him that the king will surely want him to bring a corresponding pestle as well.
