One of Takahiko Iimura's (and modern art's) earliest works in conceptual video, A Chair entirely consists of a steady (and usually ghosted) image of a chair to the accompaniment of the firecracker pops of television static. While formally minimal, A Chair is conceptually challenging in its simplicity and its demand that the audience zero in on, of all things, a simple chair. - Tom Fritsche
"Fuyu no Chikai, Natsu no Matsuri - Takeoshi no Dai-Kusunoki" is set in the city of Takeoshi, and will center on two characters, a boy and a girl, who grow up watched over by a large camphor tree that endures the time and seasons.
14-year-old Ana is easily seduced by Sam, a 17 year-old young man who, along with his mother and others deceive and blackmail Ana into the world of prostitution.
When Madame Adelaide Bonfamille leaves her fortune to Duchess and her children—Bonfamille’s beloved family of cats—the butler plots to steal the money and kidnaps the legatees, leaving them out on a country road.
Two sisters, Hanifah and Latifah/Ipah have different attitudes toward life in Jakarta. While Hanifah is content working as a teacher, Ipah, who works as a shopkeeper, is obsessed with living a high life.
The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right.
Comments
Have you watched A Chair yet? What did you think about it?
