During the Battle of Stalingrad, five German soldiers and officers are taken prisoner of war by the Soviets. In an interview, they talk about the fear of retribution, the question of guilt and the gradual shattering of an enemy image. The process of their rethinking is also due to their encounter with the "National Committee Free Germany". Pilot officer Charisius got into conversation with the Soviet writer Fedin in the camp. Decades later, Charisius remembers it. Pictures of the destroyed Stalingrad and scenes of the men in their present-day environment complement the conversation.
Film-Am Edgar falls in love with Vilma. The two had a set back that ended with Edgar returning all Vilma’s love letters that he regreted and wanted it back.
The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right.
A homage to nature and a plea for a careful approach to it. In one of his early films, Jon Jost shows impressions of a stream in the forest and a couple streaming through the forest: direct looks into the camera, cross-fades, multiple exposures, playing with sunlight, shadows and shapes.
Follows contemporary American poet James Dickey on a three week lecture tour. Reveals the actual thoughts and feelings of the poet through his conversations and poetry readings.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast.
