Benito is a married wealthy businessman. Unknown to his family, he is a closeted homosexual and is having a secret affair with his driver, Diego. Benito tries hard to keep his identity hidden, but Diego starts blackmailing him after losing money to gambling.
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay.
Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.
Wonderkid follows the inner turmoil of an unnamed football prodigy as he comes to terms with his own identity, struggling to reconcile his sexuality with his issues with alcohol and OCD.
With a haunting atmosphere and a narrative open to different interpretations, 'El joven Diego' is presented as a metaphor that explores interpersonal relationships and human desire.
Follows contemporary American poet James Dickey on a three week lecture tour. Reveals the actual thoughts and feelings of the poet through his conversations and poetry readings.
Two sisters, Hanifah and Latifah/Ipah have different attitudes toward life in Jakarta. While Hanifah is content working as a teacher, Ipah, who works as a shopkeeper, is obsessed with living a high life.
"Canada's convention-shattering voice of poetry" (Globe and Mail). Michael Ondaatje documents the work and spirit of fellow poet bpNichol (1944-1988) Capturing the artist / writer / sound performer in "fantasy documentary", Ondaatje uncovers what made bpNichol an influence to a generation of North American and European writers.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast.
A homage to nature and a plea for a careful approach to it. In one of his early films, Jon Jost shows impressions of a stream in the forest and a couple streaming through the forest: direct looks into the camera, cross-fades, multiple exposures, playing with sunlight, shadows and shapes.