Shot on the island of Fårö, this documentary presents interviews with local inhabitants as they discuss work, family life, and the conditions of living in a sparsely populated rural community. Bergman documents generational differences and practical concerns surrounding farming, fishing, education, and migration as the island confronts social and economic change.
Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there.
No Days Off for Death” is a film that depicts an altered rendition of our own world to explore themes of grief and over corporatisation, the narrative takes place from two perspectives that ultimately come together; one of a nameless Grim Reaper (only referred to as “Death”) who only wants to take a long overdue holiday from their endless mundane work in the corporate underworld and a grieving man (Max) contemplating committing suicide after a breakup leaves him at the end of his rope.
An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman.
Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr.
De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The Seventh Seal.
A poetic documentary of its nature and of some rare people living on Gotska Sandön, an isolated island in the Baltic Sea, close to Ingmar Bergman’s home residence Fårö.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast.
Sakir, a humble dolmuş (minibus) driver, falls in love with a nightclub singer and embarks on a charming and adventurous journey into her world of high society.
Two sisters, Hanifah and Latifah/Ipah have different attitudes toward life in Jakarta. While Hanifah is content working as a teacher, Ipah, who works as a shopkeeper, is obsessed with living a high life.
In the 1930s, the Soviet ship "Chelyuskin" embarked on an expedition to the Northern Ocean. But soon there is an accident in the ice and the team can save themselves on an ice floe.
