The film Harry Hooton is conceived as a huge energy field combining the energy of light and colour, movement, editing and sound — a dense, vibrating, pulsating work, unrelenting in its thrust; a celebration of Hooton’s definition of art as the communication of emotion to matter.
"Canada's convention-shattering voice of poetry" (Globe and Mail). Michael Ondaatje documents the work and spirit of fellow poet bpNichol (1944-1988) Capturing the artist / writer / sound performer in "fantasy documentary", Ondaatje uncovers what made bpNichol an influence to a generation of North American and European writers.
Two sisters, Hanifah and Latifah/Ipah have different attitudes toward life in Jakarta. While Hanifah is content working as a teacher, Ipah, who works as a shopkeeper, is obsessed with living a high life.
A homage to nature and a plea for a careful approach to it. In one of his early films, Jon Jost shows impressions of a stream in the forest and a couple streaming through the forest: direct looks into the camera, cross-fades, multiple exposures, playing with sunlight, shadows and shapes.
Film-Am Edgar falls in love with Vilma. The two had a set back that ended with Edgar returning all Vilma’s love letters that he regreted and wanted it back.
Rosana is an attractive teacher who is losing his youth with such discipline in the study. When suddenly bursts into his life a perfect cheeky who lives of game and odd jobs as photographer, but wants to acquire a little culture for personal reasons.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast.
One of the world's most acclaimed comedies, M*A*S*H focuses on three Korean War Army surgeons brilliantly brought to life by Donald Sutherland, Tom Skerritt and Elliott Gould.
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