"Petula Clark's third US TV Special with Dean Martin and Peggy Lee."26 December 1970Music60 mins
In a staggering example of lacking imagination, Petula Clark's third US TV Special was given the exact same name as her first. Unbelievably, a third special also had that exact same title a few years later! Guests: Peggy Lee, Dean Martin, the Everly Brothers, David Frost.
Songs: Beautiful Sounds, duet w/ Peggy Lee (I'm A Woman/Wedding Bell Blues), Games People Play (w/ The Everly Brothers), duet medley w/ Dean Martin on a horse (Hey Good Lookin'/Detour/Things/I Walk The Line/Just A Little Lovin'), medley (Come Together/Great Come And Get It Day), When Johnny Comes Marching Home (w/ Lee), Fool On The Hill.
A CBS television special, renowned for its legendary "Yma, Ava....Yma, Uta... Yma, Oona" sequence. Annie: The Women in the Life of a Man (1970) won Anne Bancroft her only Emmy for her portrayal of 14 different woman in 14 musical and comedy sketches.
George Burns, Dom DeLuise, Danny De Vito, Dean-Paul Martin and Roger Moore provide arms for A-M to lean on as she impersonates Hollywood stereotypes, from a rejected script girl to an over-the-hill sex symbol.
From an ominous Lecturer, a small 1930s middle American community learns of the Harper Affair, in which young Jimmy Harper finds his life of promise turn into a life of debauchery and murder thanks to the new drug menace marijuana.
Raquel! was an April 26, 1970 CBS television special starring Raquel Welch, Tom Jones, Bob Hope and John Wayne executive produced, directed and choreographed by David Winters produced by Winters' company Winters-Rosen for CBS-TV, originally co-sponsored by Coca-Cola and Motorola.
The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall.
Musical Special designed to showcase the minimal talents of Raquel Welch.
Highlights include: a scene featuring Welch and Mickey Rooney, portraying a cab driver with seemingly magical abilities; a scene featuring Welch in a subway station performing a medley and dance sequence; a scene wherein Welch attempts to sing “Money Makes the World Go Round”; Raquel performing a version of “We Are Family” in a martial arts training class; Rooney and Welch performing “Heaven on Earth”; Welch performing “Don’t Rain on My Parade” while escaping from a straitjacket; Welch performing “A Quiet Thing”; and Welch and Rooney performing “They Can’t Take That Away from Me.
Alternative movies trailers for Petula
More movie trailers, teasers, and clips from Petula:
Petula Clark / Michel Legrand - On The Road Unreleased 1970 Demo Acetate Film Soundtrack Soul !!!
This is a RARE ORIGINAL UNRELEASED UK ACETATE SINGLE - EMIDISC ACETATE - SOUL / SOUNDTRACK ACETATE - by PETULA CLARK / MICHAEL ...
PETULA CLARK - I Could Have Given You More
Petula Clark sings this 'lost' Andrew Lloyd-Webber composition on The Basil Brush Show 3rd November 1979. Later given new lyrics as 'Gus the Theatre Cat' ...
Petula Clark sings a creepy song about Scorpio in 1974
In 1974 Petula Clark sang this song on British TV.
Petula Clark-Goodnight Sweet Dreams
Petula full hd movie trailer.
Petula Clark - Jumble sale (1962)
MUSIC and/or FOOTAGE RIGHTS DO NOT BELONG TO ME. If the copyright owner wants a video removed please let me know. I will remove it IMMEDIATELY !
Petula Clark - The Lights Of Night
1969 release 'Just Pet'
Popular movie trailers from 1970
These some of the most viewed trailers for movies released in 1970:
Sakir, a humble dolmuş (minibus) driver, falls in love with a nightclub singer and embarks on a charming and adventurous journey into her world of high society.
Yudi has just got out of jail but Bono and the gang force him to commit another crime. Unlike the others in the gang who spend their money for fun right away, Yudi saves his money in the bank.
In a small, US costal town with many Spanish speakers, a motorcycle gang arrives on holiday. Also in town to try to reconnect with his pregnant girlfriend, Karen, is businessman Paul Collier.
A homage to nature and a plea for a careful approach to it. In one of his early films, Jon Jost shows impressions of a stream in the forest and a couple streaming through the forest: direct looks into the camera, cross-fades, multiple exposures, playing with sunlight, shadows and shapes.
