PROOF is a film so personal that it approaches therapy, but there are certain Devensky preoccupations which become readily apparent to everyone familiar with his work. Perhaps the finest sequence is the investigation of fifty-year-old tombstones in a Jewish cemetary - a scene which bears close resemblance to Devensky's scrutinizing of photographs in other films. Indeed, many of the graves bear photographs of their inhibitants and Devesky imbues the scene with that same romantic nostalgia... PROOF closes with a 2001-style light show and a direct statement of Devensky's evolutionary theory"
In the 1930s, the Soviet ship "Chelyuskin" embarked on an expedition to the Northern Ocean. But soon there is an accident in the ice and the team can save themselves on an ice floe.
When Madame Adelaide Bonfamille leaves her fortune to Duchess and her children—Bonfamille’s beloved family of cats—the butler plots to steal the money and kidnaps the legatees, leaving them out on a country road.
When a wandering mercenary named Hogan rescues a nun called Sister Sara from the unwanted attentions of a band of rogues on the Mexican plains, he has no idea what he has let himself in for.
A homage to nature and a plea for a careful approach to it. In one of his early films, Jon Jost shows impressions of a stream in the forest and a couple streaming through the forest: direct looks into the camera, cross-fades, multiple exposures, playing with sunlight, shadows and shapes.
Rosana is an attractive teacher who is losing his youth with such discipline in the study. When suddenly bursts into his life a perfect cheeky who lives of game and odd jobs as photographer, but wants to acquire a little culture for personal reasons.
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Have you watched Proof yet? What did you think about it?
