The manor, which served as a guest house by the will of Mr. Adem, is referred to as uncanny in the town. Housekeeper Hasan, who lives alone in a big mansion, scares the guests with her strange manners. The greater danger that awaits guests is the visits of a ghoul from his grave to the mansion.
Following her brother's death, Georgia, a young college student, returns home to her reservation only to find she's become the prey of a shapeshifting, faceless figure.
Down-on-his-luck John Ellman is framed for a judge's murder. After he's convicted and sentenced to death, witnesses come forth and prove his innocence.
Taking a wrong turn, travelers find themselves trapped in a mysterious house. One horror after another threatens them, as the sorcerer who lives within needs sacrifices to give eternal life to his beautiful bride.
Fresh out of rehab, a young woman moves back in with her parents and sister, and soon becomes involved in a mystery that has left people in her town paralyzed.
A homage to nature and a plea for a careful approach to it. In one of his early films, Jon Jost shows impressions of a stream in the forest and a couple streaming through the forest: direct looks into the camera, cross-fades, multiple exposures, playing with sunlight, shadows and shapes.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast.
Fred Midway may be a bit short on brains, but he's got plenty of ambition. However, before he can gain promotion as a salesman, he must make his family more socially acceptable.