"A few years ago in Dunwich a half-witted girl bore illegitimate twins. One of them was almost human!"14 January 1970Horror88 mins
Dr. Henry Armitage, an expert in the occult, goes to the old Whateley manor in Dunwich looking for Nancy Wagner, a student who went missing the previous night. He is turned away by Wilbur, the family's insidious heir, who has plans for the young girl. But Armitage won't be deterred. Through conversations with the locals, he soon unearths the Whateleys' darkest secret — as well as a great evil.
In an ill-fated attempt to harness the forces of nature, Dr. Frankenstein creates a monster. This gentle giant roams the countryside in search of a peaceful life, but is finally overcome with loneliness and despair as his fearsome visage strikes terror in the minds of young and old alike.
Victor Frankenstein witnesses his creation turn uncontrollable after he's duped by his associate, Dr.
Alternative movies trailers for The Dunwich Horror
More movie trailers, teasers, and clips from The Dunwich Horror:
The Dunwich Horror (1970) - Official Trailer (HD)
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The Dunwich Horror (1970) Trailer
The original Trailer from the seventies. With Dean Stockwell from the "Quantum Leap" Serial as Wilbur Whateley. Alternativ: Voodoo Child Original: Dunwich ...
The Dunwich Horror 1970 TV trailer
A 1970 television trailer for American-International's adaptation of the Lovecraft story directed by Daniel Haller and starring Dean Stockwell Sandra Dee ...
The Dunwich Horror (2009)
Based loosely on 'The Dunwich Horror'. In Louisiana the thirty-five year old single mother Lavina delivers a baby boy and a monster in the evil Whateley House.
The Dunwich Horror (1970) - What Happened At The Altar? (HD)
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The Dunwich Horror - trailer
The Dunwich Horror full hd movie trailer.
Popular movie trailers from 1970
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The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley.
A homage to nature and a plea for a careful approach to it. In one of his early films, Jon Jost shows impressions of a stream in the forest and a couple streaming through the forest: direct looks into the camera, cross-fades, multiple exposures, playing with sunlight, shadows and shapes.
When Madame Adelaide Bonfamille leaves her fortune to Duchess and her children—Bonfamille’s beloved family of cats—the butler plots to steal the money and kidnaps the legatees, leaving them out on a country road.