The series, based on the first 16mm film that was shot in a studio with Nakajima’s family and birds, moves through media and processing transformations over many iterations over the years. Once transferred to video, digital effects were added using the “Animaker,” an electronic image synthesizer that he invented (also nicknamed “Ko-puter”). Total of 6 parts exist.
The cycling season is nearing its grand finale. During the final race, the two men in the lead are competing for more than the Grand Trophy; they are fighting for the affection of a lady and fulfilment of their erotic fantasies.
The black forest in the 19th century. A magic place with ghosts, good and bad, living in it. Peter Munk is a poor but goodhearted young man, desperately wishing to be rich.
Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
Two characters finding hope and coming together in the bleakest of moments. One marooned on a desolate planet and the other crash landing on the same planet.
The story begins with a parody of a familiar folklore about a rabbit and an earthworm chasing after each other, but the warm atmosphere changes completely to a succession of surreal images, and the story dismantles.
A flash of light splits the darkness, revealing a mysterious image. The images are rapidly replaced with sharp noise that combines wave-like repetitiveness and explosiveness, and the flicker effect that it brings makes the viewer away from reality.
The U.S. submarine Anthony Wayne is underway for a top-secret mission. Onboard is a highly classified device that will give the Americans a decided nuclear advantage.
Jai, the orphaned boy adopted by the Monkey Man, helps missionary Charity Jones bring an organ to a friendly tribe, but they are captured by hostile natives.
