A dramatic captivating tale tells of widowed Tei (Junko Fuji), she has become a coalmine operator and is determined to be successful despite mining being a predominately male domain. Overcoming the natural hardships, a more serious threat to Tei and her mine, the menacing presence of rival mining gangs who sense her vulnerability... Nihon jokyo-den:ketto midarw-bana is an outstanding drama, highlighted by wonderful characterizations/performances. Yamashita's excellent direction maintains a rich emotional flow from the opening seconds to the last. Intense and bloody encounters punctuate throughout the engaging multi layered tale!
A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist.
A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Seven characters, introduced at the start of the film, get thrown together into the same hotel room: a thief who's stolen a suitcase of money from the mob, his ex-girlfriend, her obsessive boyfriend, the mob soldier sent to retrieve the briefcase, another mobster sent to kill them, master voyeur Captain Banana and his new apprentice, The Mister Yellow.
Himuro is arrested on suspicion of assault. To prove his innocence, members of the Yamazaki Ichimon scramble to locate Ito—the older man Himuro once helped (Hiroo Otaka), who could serve as a key witness.
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank.
The film tells the story of Murat's struggle to rescue his brother Yusuf from a drug gang. Murat is left disabled while trying to save the lives of workers in an accident at his factory.
This period compilation of documentaries shot with a Portapak camera from the early era of video experimentation offers an immediate view of the independent New York art scene (concerts and theater perfomances on the streets and in the clubs of downtown).
