"This documentary depicts a canoe being built in the traditional manner. Cesar Newashish, a 67-year-old Attikamek of the Manawan Reserve North of Montréal, uses only birchbark, cedar splints, spruce roots, and gum. With a sure hand he works methodically to fashion a craft unsurpassed in function or beauty of design. Building a canoe solely from the materials that the forest provides may become a lost art, even among the Native Peoples whose traditional craft it is. The film is free of spoken commentary but text appears on the screen in Cree, French, and English." - Anthology Film Archives
Exclusive to Arrow Video Amazon Channels, Hellraiser: Evolutions is a documentary looking at the evolution of the hit horror franchise, Hellraiser, and its enduring legacy, over the last 30 years.
While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism.
Feature-length documentary as part of Pierre Perrault's Abitibian Cycle. The filmmaker questions the past and present of Abitibi and draws up, face to face, the promises of colonization in the 1930s and the great disappointment caused by the closing of the land in the 1970s.
Wimme Saari is one of the best known Sami yoikers from Finland. He combines traditional Sami singing with his own improvisations, usually to a techno-ambient accompaniment by members of Finnish electronic group RinneRadio.
A profile tracking the history of the Swedish band Garmarna, including interviews and music video clips, from the inception of the band in 1990 to their "Hildegard von Bingen" recording in 2001.
Television movie that consists of two episodes from the UK TV series Journey to the Unknown (1968): Do Me a Favor and Kill Me (1968) and The Killing Bottle (1969).
A neurosurgeon with a cheating wife takes an amnesiac into his home and conditions him to believe that the cheating wife is his own and to take the "appropriate" action.
