In an ironic reference to body art, process art and performance, Baldessari challenges definitions of the content and execution of art-making. Performing with deadpan precision, he moves his hands, arms and entire body in studied, minute motions, intoning the phrase "I am making art" with each gesture. Each articulation of the phrase is given a different emphasis and nuance, as if art were being created from moment to moment. This index of body movements is ironically offset by the repetitive monotony of the exercise.
This found footage film is about how easy it is to get lost both physically and emotionally within a short amount of time and how hard it may be to come back to where you were or simply coming to terms with change.
Spectrum and prism divide the screen; whites and light, etc. "Out of this purity comes all colors. I've always been attracted to refracted light and prismatic phenomena" says Bernard.
“Requiem pour le XXè siècle” is a manifesto against war. It is an elegy. The photograph is connected with images that are part of our collective memory: extracts from newsreels of World War II that have been reworked and transformed through various optical and electronic processes.
The U.S. submarine Anthony Wayne is underway for a top-secret mission. Onboard is a highly classified device that will give the Americans a decided nuclear advantage.
A grim, merciless gunfighter known as Santana protects a young woman from the murderers of her family members and at the same time pursues a revenge against a traitor responsible for the death of his fellow soldiers years before.
