""Never give a inch" was the motto of the Stampers of Oregon. And live it they did!"17 December 1971Adventure, Drama, Action114 mins
Hank Stamper and his father, Henry, own and operate the family business by cutting and shipping logs in Oregon. The town is furious when they continue working despite the town going broke and the other loggers go on strike ordering the Stampers to stop, however Hank continues to push his family on cutting more trees. Hank's wife wishes he would stop and hopes that they can spend more time together. When Hank's half brother Leland comes to work for them, more trouble starts.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father.
The Shadow Mountains, 1983. Red and Mandy lead a loving and peaceful existence; but when their pine-scented haven is savagely destroyed, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.
When a sprite named Crysta shrinks a human boy, Zak, down to her size, he vows to help the magical fairy folk stop a greedy logging company from destroying their home: the pristine rainforest known as FernGully.
A story set over one night in a small rural community we watch various relationships and actions among local people; these include birth, death, and conflicts fuelled by alcohol.
A coming-of-age story centered around a small-town singer brokenhearted by the death of her brother in a car crash, who had secretly submitted her for a summer session at a performing arts academy in Los Angeles.
An amusingly drawn cartoon about a highly proficient lady bricklayer, graduate of Specialists' School, whose work takes her high up in the world, and her erstwhile friend, whose equally dedicated professionalism brings him lower.
Jai, the orphaned boy adopted by the Monkey Man, helps missionary Charity Jones bring an organ to a friendly tribe, but they are captured by hostile natives.
This period compilation of documentaries shot with a Portapak camera from the early era of video experimentation offers an immediate view of the independent New York art scene (concerts and theater perfomances on the streets and in the clubs of downtown).
