Based on a novel by Farman Karimzade, the movie shows the life in an Azerbaijani village under the Soviet rule in 1930s. Here two former "beys" (land owners) are opposing each other. One is loyal to the ideology of the past and can't reconcile himself to the new power, to second rejects the past and accepts the power of the Bolsheviks, believing that it will establish justice.
The investigator Seyfi Ganiyev runs the case of an illegal mercery shop's head Murad Abiyev, who confessed in embezzlement of one million rubles from public funds.
War breaks out in the Caucasus. 75-year-old Maria loses her son in the war. She and her daughter-in-law Sofia have been living in the Caucasus for 12 years.
Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.
This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.
Dedicated to the development of the oil industry of Soviet Azerbaijan in the background of the first half of the twentieth century, including their selfless work in strengthening the economic and military might of the USSR.
The story is set during an upsurge in the Nagorno-Karabakh conflict and revolves around an old, sick ex-forestry worker and his wife Nabat, whose son has died in battle.
Leyla and Murat are two artists who go from success to success on stage and on set. The only thing that overshadows their love is Leyla's ex-boyfriend, who is pursuing her.
An educational film about an aspect of political economy. The concepts of use value, barter value and labor as a commodity are the subjects; they are intended to introduce the process of understanding the theory of value of work and the law of values, alienation and fetish.
A neurosurgeon with a cheating wife takes an amnesiac into his home and conditions him to believe that the cheating wife is his own and to take the "appropriate" action.
