Mr. Greene recollects Navajo history through interviews with ancient tribesmen and reports on contemporary conditions, with emphasis on the progress being made at Rough Rock School in contrast with a BIA boarding school in Utah. Rough Rock is the "experimental" institution set up to give the Native Americans direct control of the process by which their children can be educated to function, productively and with a sense of identification, in two totally different worlds.
TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido.
Barry Barclay was a New Zealand/Aotearoa director of documentaries and feature films. He is regarded as one of the world's first, and very influential, Indigenous film makers.
In Ecuador, in a single day, the train passes from the mountainous Andes to the tropical coast. The roads were built between 1861 and 1908 to connect the country.
It explores the effect that methamphetamine has had on the Navajo Nation and interviews the people whose lives have been affected by the highly addictive drug.
The elders of the Kichwa community of Sarayaku preserve the history of their land for the youngest. They save the knowledge of their traditions against modernity and the invasion of their territory.
Manifesto of the Pataxó tribe, with the testimony of the chief José Guajajara, in front of the Monument to Estácio de Sá, where the Tamoios massacre took place in 1567, on the coincident day that celebrates the foundation of the city of Rio de Janeiro, 20 January.
An educational film about an aspect of political economy. The concepts of use value, barter value and labor as a commodity are the subjects; they are intended to introduce the process of understanding the theory of value of work and the law of values, alienation and fetish.
The film tells the story of Murat's struggle to rescue his brother Yusuf from a drug gang. Murat is left disabled while trying to save the lives of workers in an accident at his factory.
A grim, merciless gunfighter known as Santana protects a young woman from the murderers of her family members and at the same time pursues a revenge against a traitor responsible for the death of his fellow soldiers years before.
This period compilation of documentaries shot with a Portapak camera from the early era of video experimentation offers an immediate view of the independent New York art scene (concerts and theater perfomances on the streets and in the clubs of downtown).
