The Silent Revolution is a 1972 German documentary film about molecular biology. The film posits that biologically, man will still be programmed as a hunter and food collector even when there will be nothing to hunt and collect. Evolution is too slow to cope with the rapid changes in our environment, and the countdown of man's survival has already begun. Yet. there may be a chance to influence the steering mechanism of life. It was nominated for an Academy Award for Best Documentary Feature.
Ursula Le Guin reads an essay about her experience getting an illegal abortion in 1950 when she was a senior in college, highlighting how women’s success and happiness is predicated on bodily autonomy.
Generation Impact is a new video series from the Garage by HP about cutting-edge young innovators who are using technology to create a more equitable world.
The cast members reminisce about the show and present exclusive blooper footage never shown on television, as well as an update on their current activities.
Episode of the Belgian Flemish Television (BRT) program Het Gerucht on the development of Anne Teresa De Keersmaeker's choreography "Bartók/Aantekeningen" (in English: "Bartók/Annotated"), created in 1986 for four dancers from the company Roses .
A celebration of a great Jewish-American tradition. Beginning as places for Jews from Central and Eastern Europe to eat and meet, they expanded across America and eventually attracted as many non-Jews as Jews.
The evolution of The Scarecrow (1920) is discussed in this documentary.
Alternative movies trailers for The Silent Revolution
More movie trailers, teasers, and clips from The Silent Revolution:
THE SILENT REVOLUTION OF TRUTH. (English subtitles. Unofficial)
This is an unofficial but authorized transcription of the Silent Revolution of the Truth. Michael Horn authorized me to work on it. It contains a few errors. Feel free ...
Popular movie trailers from 1971
These some of the most viewed trailers for movies released in 1971:
An amusingly drawn cartoon about a highly proficient lady bricklayer, graduate of Specialists' School, whose work takes her high up in the world, and her erstwhile friend, whose equally dedicated professionalism brings him lower.
Jai, the orphaned boy adopted by the Monkey Man, helps missionary Charity Jones bring an organ to a friendly tribe, but they are captured by hostile natives.
This period compilation of documentaries shot with a Portapak camera from the early era of video experimentation offers an immediate view of the independent New York art scene (concerts and theater perfomances on the streets and in the clubs of downtown).
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