"A McGillivray-Freeman Film"11 August 1971Factual90 mins
The Sunshine Sea is a surfing film about the changes that have raised the art of surfing from the limitations of the past to the free and easy harmony of the 1970s.
Oscar-nominated filmmaker Joe Berlinger travels the globe with legendary windsurfer and pioneering waterman Robby Naish, a 24-time world champion whose quest to master the world's longest waves unexpectedly reveals his vulnerabilities as a competitor, mentor and father.
Set in the golden era of Grand Prix Racing '1' tells the story of a generation of charismatic drivers who raced on the edge, risking their lives during Formula 1's deadliest period, and the men who stood up and changed the sport forever.
From the dreamy blue perfection of the South Pacific to the darkest uncharted waters of Africa (and everywhere in between), John Florence faces a broad spectrum of emotions as he continues to seal his legacy as one of the most gifted surfers ever.
One of the most fearless and accomplished athletes of her generation, Bethany Hamilton became a surfing wunderkind when she returned to the sport following a devastating shark attack at age 13.
Focusing on good times all over, the bots travel to new spots only to realize that when you’re strapped in and having fun with the crew, you forget where you are anyways, it’s all “Shredtopia” to us.
In Skin Deep, Palmateer explores her own interpretation of what it means to be free. By stripping down and riding waves in remote and idyllic locations, she undertakes a journey towards uninhibited self-expression.
The Class That Saved Coach K is a 90-minute documentary that tells the story of Duke Basketball head coach Mike Krzyzewski, and how his 1982 recruiting class overcame a bumpy start to change the narrative -- turning the Blue Devils around and setting its coach on an historic course.
Popular movie trailers from 1971
These some of the most viewed trailers for movies released in 1971:
Television movie that consists of two episodes from the UK TV series Journey to the Unknown (1968): Do Me a Favor and Kill Me (1968) and The Killing Bottle (1969).
Jai, the orphaned boy adopted by the Monkey Man, helps missionary Charity Jones bring an organ to a friendly tribe, but they are captured by hostile natives.
Leyla and Murat are two artists who go from success to success on stage and on set. The only thing that overshadows their love is Leyla's ex-boyfriend, who is pursuing her.
This period compilation of documentaries shot with a Portapak camera from the early era of video experimentation offers an immediate view of the independent New York art scene (concerts and theater perfomances on the streets and in the clubs of downtown).