A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator's sense of glory to a modern western in the style of Takeshi Kitano.
Watch the official Zombies 2019 trailer in HD below.
Cole Porter times three! Al Kemp and His Orchestra swing "Begin the Beguine," Emil Coleman and His Orchestra sell us "Just One of Those Things," and Skinnay Ennis and His Orchestra love some "(Let's Do It) Let's Fall in Love.
A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter.
In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus.
A heartbreaking story about the tragic love between a young soloist named Andrey Dymov and an equally young, but more experienced "Priestess of Love" named Masha.
During World War II in Greece, under the submission of Germans, one Christian, Giorgos, falls in love with a Jewish, Estrea, something completely forbidden.
Alternative movies trailers for Zombies
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PATIENTS OF A SAINT Official Trailer (2019) Zombies Horror Movie
This film is a true-crime thriller that goes behind the headlines to uncover the deep-seated and social media-fueled “boys will be boys” culture at the root of high school sexual assault in America.
Single mom Abbey takes a leap of faith to pursue her passion for interior design. When she gets hired to decorate the estate of local businessman Nick, Abbey must complete the job by Christmas Eve.
Los Angeles, 1969. TV star Rick Dalton, a struggling actor specializing in westerns, and stuntman Cliff Booth, his best friend, try to survive in a constantly changing movie industry.
Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years.
The UN General Assembly regards antibiotic-resistance as a "global and most urgent threat". The WHO alarms that we could fall back into a "post-antibiotic age".
“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
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