Backbone is an essay on structures and metaphors of war, mechanization, dehumanization. It reveals not a paralysis of "guilt" but a reaction (against horror) that asserts itself through command of language. The premise that Braidwood employs is related to the leftist strategy "which asserts that what people believe, and thus the way they will behave, can be changed by the very form of the way in which they are represented," a formalism expressed in the Soviet publication of the twenties, Novy Lef Lef.
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative.
An adventure story for children set in New Zealand and told in eight sequential episodes. 5 of 8: The escaped criminals drive away from Wellington in a stolen car.
The film by Brakhage commonly referred to as "Wecht" does indeed exist. It doesn't have a titlecard at the head, and the leader of the original is labeled "Portrait" in Stan's handwriting, so I'm not sure where the 'Wecht' title comes from.
