This movement marks the beginning of modern art in Germany. It is the German equivalent of French Fauvism, from which it draws its main inspiration, but it carries an Expressionist and social emphasis that is characteristic of Nordic 'angst.' The artists of Die Brucke were restless creatures, over-sensitive, haunted by religious, sexual, political or moral obsessions. Dramatic landscapes and nudes, mystical and visionary compositions, scenes of the countryside, the streets, the circus, the cafe-dansants and the demi-monde were their principal subjects. Their pure colours blaze in acid stridency, encompassed by rough, dry contours which show the influence of African art and primitive woodcuts. The work of the following is shown: Kirchner, Fritz Bleyl, Erich Heckel, Schmidt-Rottluff, Otto Muller, Emil Nolde and Max Pechstein.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present.
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Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career.
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After a peaceful sailboat ride, four young people, including rich kid Bill, Joe, Fred and Jane, knock on the door of a secluded villa after their dune buggy runs out of gas.
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Jack White throws a big party at which many of the artists he has produced perform. He has had an eventful life in which he has always remained true to his ideals, first as a footballer, then as a pop singer and then as a producer, even in the face of fierce opposition from others.
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Have you watched Die Brücke: The Birth of Modern Art in Germany yet? What did you think about it?