A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
"Fuyu no Chikai, Natsu no Matsuri - Takeoshi no Dai-Kusunoki" is set in the city of Takeoshi, and will center on two characters, a boy and a girl, who grow up watched over by a large camphor tree that endures the time and seasons.
14-year-old Ana is easily seduced by Sam, a 17 year-old young man who, along with his mother and others deceive and blackmail Ana into the world of prostitution.
The film by Brakhage commonly referred to as "Wecht" does indeed exist. It doesn't have a titlecard at the head, and the leader of the original is labeled "Portrait" in Stan's handwriting, so I'm not sure where the 'Wecht' title comes from.
A dramatised documentary which explores ghetto life as seen and felt inside Harlem, based on experiences of the Northside Centre for Child Development.
After having challenged the German Ottone to single combat for the hand of Leonza, the bishop's niece, the valiant knight Anselmo da Montebello, leaves for Rome where he must deliver a precious relic to the Pope and obtain a sum of twenty-thousand crowns in order to participate in the third crusade in the Holy Land.
A frustrated Frankfurt innkeeper is recruited as an agent for the "Gehlen Organization" and after a short training period, during which he is familiarized with sophisticated espionage methods, he takes his first steps as a spy.
“It’s not how it used to be.” The words of Cézar Néwashish resonate throughout this short documentary that explores the history of the Atikamekw community of Manawan, Quebec.
This Spanish-Italian co-production tells the story of a man who feels deep guilt for the death of his wife: he, an alcoholic, is convinced that he accidentally caused her fatal fall in their house while he was drunk.
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Have you watched Down Hear yet? What did you think about it?
