“A ‘baroque’ summary of film’s historic internal conflicts, chiefly those between narrative and metric/plastic montage; and between illusionist and graphic space.” – HF
The film by Brakhage commonly referred to as "Wecht" does indeed exist. It doesn't have a titlecard at the head, and the leader of the original is labeled "Portrait" in Stan's handwriting, so I'm not sure where the 'Wecht' title comes from.
A dramatised documentary which explores ghetto life as seen and felt inside Harlem, based on experiences of the Northside Centre for Child Development.
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative.
Doc Saxon and his gang rob the Crown City bank but are double-crossed by Carrasco, a Mexican bandit, who steals the gold and leaves Doc and Donovan with nothing.
A group of ruthless Chicago mob enforcers are sent to Kansas City to settle things with the owner of a slaughterhouse who has taken money that is not his to keep.