Parody tale of notorious Edo-period Robin Hood named Nezumi Kozo (Rat Man), a thief who robs from the rich and showers the money on the poor. In this entry, he's also a drunkard who sometimes forgets why he's broken into the house in the first place. This is especially true if there's a pretty girl to be seduced.
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Setsuko Ogawa as Omitsu(おみつ)
Hiroshi Gojo as Jirokichi(次郎吉)
Ryuji Mori as Kinshiro(金四郎)
Tatsuya Hamaguchi as Kisuke(喜助)
Keiko Maki as Concubine(側室)
Yuki Takami as Otaka(おたか)
Yuki Seto as 中臈
Chūsei Sone Director
Kazuhiko Hasegawa Screenplay
Kōyū Ohara First Assistant Director
Masaru Mori Director of Photography
Moriyasu Tsuchida Lighting Director
Koshiro Jinbo Sound Recordist
Toshiyuki Matsui Art Direction
Shinya Inoue Editor
性盗鼠小僧 Trailer
Love Bandit Nezumi Kozo Trailer
Seitou nezumi kozo Trailer
Japan 29 January 1972
These some of the most viewed trailers for movies released in 1972:
14 March 1972
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family.
26 February 1972
Two cops, who have quit the police department to become private detectives and bounty hunters, hunt for a killer who has eluded capture for years.
07 April 1972
"A vivid, exciting look at the lives of vulnerable young girls who are hustled into the promised lan"
22 February 1972
The subject of the film is the problem of the migration of young people from the countryside to the cities in search of an easier life.
17 May 1972
A satire of the welfare society showing the mechanical nature of the elderly care.
25 July 1972
A dramatised documentary which explores ghetto life as seen and felt inside Harlem, based on experiences of the Northside Centre for Child Development.
18 August 1972
The King of Malabunt has won another war, after decorating himself and his three wooden marshals, he dismisses his army with a low wages.
07 February 1972
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative.
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Artwork, screen shots, trailers and other imagery is © 1972 Nikkatsu Corporation.
